The one scene short film
A short film's key scene drawn in nine panels becomes fifteen seconds of film, enough to test the breakdown with the crew before shooting or generating everything.
Your hand-drawn nine panel storyboard grid becomes nine film stills, then a fifteen second film that follows the panels in order. Workflow visible here, no account needed.
Real workflow: a nine panel marker storyboard, the same grid redrawn as film stills, then fifteen seconds of film playing the nine shots in order, the same courier from start to finish.
At a glance
The 3x3 grid has become social media's storyboard format: nine panels on a single image, handed to a video model to turn into a film. This workflow starts from your drawn storyboard and delivers a fifteen second film that plays the nine panels in reading order.
The hard part is measured: given as is, a drawn grid comes out as a half drawn film, some shots real, others still in marker. Nano Banana Pro therefore first redraws the grid as nine film stills, panel by panel, same framing and same action, then Wan 3.0 plays it.
The grid goes in as a reference, not a start image, and one image carries the whole breakdown: that is what keeps the character from shot to shot. For a storyboard that keeps its line, see the animatic. The grid and the film cost a hundred and ninety nine credits.
These are the files of the workflow above, exactly as the models produced them, unretouched. The starting point is shown when there is one.
Starting point
Render
Directors, storyboard artists, ad and music video makers who want to see their breakdown as a film before shooting.
A storyboard as a grid of three panels by three, one image, with a character recognisable from panel to panel.
Draw nine panels in a grid
Three rows of three, each 16:9, with thin gutters. A quick sketch is enough: the model reads the framing and the action, not the quality of the line.
One recognisable character
A clothing colour, a helmet, a haircut: a sign that reads in every panel. That is what lets the film keep the same person from shot to shot.
Redraw the grid as film stills
The Image node keeps the layout, the shots and the order, and only changes the rendering. Compare the two grids panel by panel before paying for the video.
Wire the grid in as a reference
The photo grid goes into the Video node's reference port, never the start image. Fifteen seconds for nine panels, about a shot and a half per second.
The same canvas, tuned for different needs: each variation is two or three lines of prompt away.
A short film's key scene drawn in nine panels becomes fifteen seconds of film, enough to test the breakdown with the crew before shooting or generating everything.
Nine panels tell a product from problem to solution, and the film comes out in fifteen seconds, the length of a social media ad.
One grid per chorus, nine strong images, then the films edited end to end on the track: a whole video that keeps the same character.
The first episode summed up in nine panels shows the world, the hero and the tone in fifteen seconds, far more telling than a synopsis.
Students each draw the same scene in nine panels, then compare the films: they see what a close up placed elsewhere changes.
The six panels of storyboard from a chapter, assembled into a grid, follow the same path to a real film.
Measured: the film comes out half drawn, some shots real and others in marker. Redraw the grid as film stills first.
The film then opens on the grid itself, gutters included. The grid goes into the reference port.
If the courier does not carry the same signs in every panel, the film turns her into several people. One garment, one colour, one helmet, everywhere.
Numbers, dialogue, annotated arrows: the video model copies them into the film. The grid carries images only.
No: stick figures and arrows are enough, as long as framing and action read. You can also make the grid in the canvas from text, as on the 2x2 grid.
Not with this workflow, which aims for a real film. For a storyboard that moves while keeping its line, the animatic is made for that.
Sixteen panels in fifteen seconds is under a second per shot: the model merges some. Beyond nine, split into two grids and edit the two films together.
A hundred and ninety nine credits: nineteen to redraw the grid on Nano Banana Pro, a hundred and eighty for fifteen seconds of Wan 3.0 at 720p.
Seedance 2.5 refuses a grid of realistic photos, reading it as a real person, and on the drawn grid it keeps the drawing and skips a panel. Wan 3.0 plays the nine panels in order.
On the demo, yes, in reading order, with the same courier. A panel too close to the next one can merge into the neighbouring shot: keep nine distinct actions.
No, the demo is silent. Add a Music or Voice-over node and a Montage for the soundtrack.
16:9 at 720p, panels included. For a vertical film, draw vertical panels and set the grid and the video to 9:16.
Turn a 3x3 storyboard into a video with AI
Use this workflowFree account, no card required. The workflow opens pre-filled in your canvas.